{"version":"1.0","provider_name":"La Ciudad en el Arte","provider_url":"https:\/\/sites.cardenalcisneros.es\/ciudadarte","author_name":"blancafernandezbrihuega","author_url":"https:\/\/sites.cardenalcisneros.es\/ciudadarte\/index.php\/author\/blancafernandezbrihuega\/","title":"SALAMANCA (Ram\u00f3n L\u00f3pez, siglo XIX) - La Ciudad en el Arte","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ht8cieQUHw\"><a href=\"https:\/\/sites.cardenalcisneros.es\/ciudadarte\/index.php\/2012\/05\/13\/salamanca-xix\/\">SALAMANCA (Ram\u00f3n L\u00f3pez, siglo XIX)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sites.cardenalcisneros.es\/ciudadarte\/index.php\/2012\/05\/13\/salamanca-xix\/embed\/#?secret=ht8cieQUHw\" width=\"600\" height=\"338\" title=\"\u00abSALAMANCA (Ram\u00f3n L\u00f3pez, siglo XIX)\u00bb \u2014 La Ciudad en el Arte\" data-secret=\"ht8cieQUHw\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=0;o<n.length;o++)n[o].style.display=\"none\";for(o=0;o<i.length;o++)if(r=i[o],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=l.createElement(\"a\"),a=l.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,a.host===s.host)if(l.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"En este cuadro podemos observar la cuidad de Salamanca representada por el pintor costumbrista Ram\u00f3n L\u00f3pez. La podemos contextualizar a principios del siglo XIX, \u00e9poca en la cual se transforman barrios enteros\u00a0y se destruyen numerosos edificios de la zona suroeste de la ciudad, con el fin de realizar obras de fortificaci\u00f3n. Salamanca presenta una morfolog\u00eda [&hellip;]"}