{"version":"1.0","provider_name":"La Ciudad en el Arte","provider_url":"https:\/\/sites.cardenalcisneros.es\/ciudadarte","author_name":"alicia1193","author_url":"https:\/\/sites.cardenalcisneros.es\/ciudadarte\/index.php\/author\/alicia1193\/","title":"VENECIA (Francesco Guardi, 1770) - La Ciudad en el Arte","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"q0I9umdhZ4\"><a href=\"https:\/\/sites.cardenalcisneros.es\/ciudadarte\/index.php\/2012\/05\/07\/venecia-1770\/\">VENECIA (Francesco Guardi, 1770)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sites.cardenalcisneros.es\/ciudadarte\/index.php\/2012\/05\/07\/venecia-1770\/embed\/#?secret=q0I9umdhZ4\" width=\"600\" height=\"338\" title=\"\u00abVENECIA (Francesco Guardi, 1770)\u00bb \u2014 La Ciudad en el Arte\" data-secret=\"q0I9umdhZ4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=0;o<n.length;o++)n[o].style.display=\"none\";for(o=0;o<i.length;o++)if(r=i[o],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=l.createElement(\"a\"),a=l.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,a.host===s.host)if(l.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"Esta imagen representa la Venecia de 1770 seg\u00fan la\u00a0plasm\u00f3 el pintor Francesco Guardi, disc\u00edpulo de Canaletto. El cuadro se titula El palacio de los Dogos y es un ejemplo de vedutta o\u00a0paisaje urbano t\u00edpico de la pintura del siglo XVIII, que se\u00a0caracterizaba por la representaci\u00f3n de la ciudad, sus cr\u00f3nicas, sus costumbres\u00a0y sus gentes. La\u00a0obra [&hellip;]","thumbnail_url":"http:\/\/sites.cardenalcisneros.es\/ciudadarte\/wp-content\/uploads\/2012\/05\/diapositiva-Venecia.-e1336423612878.jpg"}